Eleanor Reissa
 
An American Family | Review
 
An American Family
Directed by Eleanor Reissa
A Poignant Slice of Lives Restarted

December 16, 2000
THEATER REVIEW | 'AN AMERICAN FAMILY'
By LAWRENCE VAN GELDER

Rich theater, capable of touching the heart, tickling the funny bone and tapping wells of recognition, sympathy and suspense while its music sets feet to tapping and hands to clapping, is attesting to the vitality of the Folksbiene Yiddish Theater as it begins its 85th season.

The vehicle is An American Family (An Amerikaner Mishpokhe), a play with music based on Sylvia Regan's 1940 Broadway production, Morning Star, and adapted into Yiddish by one of the stalwarts of Yiddish theater, Miriam Kressyn, who died in 1996. The admirable staging and the music direction are attributable, respectively, to the Folksbiene's artistic directors, Eleanor Reissa and Zalmen Mlotek.

Accompanied by English and Russian translations through headsets, the American Family (through Jan. 21 at Theater Four, 424 West 55th Street, Clinton) illuminates the Jewish immigrant experience on the Lower East Side of Manhattan as it follows the joys and tragedies of a widowed mother of four through the tumultuous years from 1910 to 1931.

The history incorporating the American dream, the Triangle Shirtwaist factory fire of 1911, the labor movement, socialism, the Russian Revolution, World War I, feminist ambitions and the Great Depression is substantial.

But the ability of An American Family to captivate an audience is rooted in the way this history touches the lives of strong, singular characters portrayed by a uniformly excellent cast and in the play's willingness to embrace joy and heartbreak.

Much of the pleasure of the light side of An American Family, which includes plenty of comedy, is the presence of show business in general and songwriting in particular as elements of the plot, furnishing a pretext for a generous helping of lively music and even a bit of dance.

Dominating the evening is Sheila Rubell in a highly praiseworthy performance as Becky Felderman, the widowed materfamilias whose children include three most attractive daughters and Hymie (Cary Woodworth), a son approaching his bar mitzvah in 1910.
One of the daughters is Fanny (Yelena Shmulenson), a singer about to marry a theater owner's nephew, Irving Tashman (Steve Sterner), a talented but not very lucky songwriter. The others are the sweet Esther (Deana Barone) and her older sibling, the prickly Sadie (Shira Flam), who sees little reason why her sex should condemn her, like many women she knows, to life as a seamstress.

Two triangles galvanize much of what occurs: the one among Esther, Sadie and the family's handsome and idealistic young English teacher, Harry Engel (Spencer Chandler), and the Triangle Shirtwaist fire.

Rounding out the fine cast are the Feldermans' boarder, Aron Greenspan (Murray Nesbitt), whose pursuit of the widowed Becky impels him to pursue capitalism as a milliner; Greenspan's pal, Bronshteyn (I. W. Firestone), the outspoken socialist who eventually departs for the nascent Soviet Union; the orphaned Harry's Aunt Malke (Mina Bern) and Pansy (Raquel Polite), the maid hired for the celebration of Becky's grandson's bar mitzvah in 1931.

The costumes by Terry Leong are eye-catching, and the set by Vicki R. Davis, the lighting by Jeff Nellis, the sound by Jill B. C. Du Boff, the musical sound design by Henry Sapoznik and the hair and wig designs of Mitch Ely enhance the history and humanity that make An American Family such a rewarding evening of theater.

AN AMERICAN FAMILY (An Amerikaner Mishpokhe)

By Sylvia Regan; adapted by Miriam Kressyn; music direction, Zalmen Mlotek; directed by Eleanor Reissa. Sets by Vicki R. Davis; costumes by Terry Leong; hair and wigs by Mitch Ely; lighting by Jeff Nellis; sound by Jill B. C. Du Boff; musical sound by Henry Sapoznik; production stage manager, Allison Deutsch; production supervisors, Kai Brothers and Dominic Housieux. Presented by the Folksbiene Yiddish Theater, Ms. Reissa and Mr. Mlotek, artistic directors. Lisa Kirsch, managing director. At Theater Four, 424 West 55th Street, Clinton.

WITH: Sheila Rubell (Becky Felderman), Yelena Shmulenson (Fanny Felderman), Deana Barone (Esther Felderman), Murray Nesbitt (Aron Greenspan), Spencer Chandler (Harry Engel), Cary Woodworth (Hymie Felderman), Shira Flam (Sadie Felderman), Steve Sterner (Irving Tashman), I. W. Firestone (Bronshteyn), Mina Bern (Aunt Malke) and Raquel Polite (Pansy).


  COWGIRLS
Read the review by the Times Union.
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  Eleanor recently starred in the title role of YENTL to tremendoius critical acclaim.

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